Experience the Future: Samsung’s 115-Inch Micro RGB TV Masterfully Combines Size and Tech

The teams at Samsung France graciously allowed us into their facilities for a hands-on experience with the massive 115MR95F TV. This exclusive opportunity enabled us to conduct several tests and truly gauge what this exceptional model is capable of, after having seen it at various high-tech expos around the world.

The Samsung 115MR95F directly competes with the Hisense 116UX, which also features a similar-sized 115-inch LCD panel, measuring approximately 292 cm for the Samsung and 116 inches for the Hisense, about 294 cm. Both models also incorporate a similar advanced backlight technology. Instead of using traditional blue or white diodes, these TVs use red, green, and blue components installed within Mini-LEDs for Hisense and even smaller diodes for Samsung. This is why the South Korean brand has named its technology “Micro RGB.”

Do not confuse these with Micro LED TVs (available only for the professional sector) that have components capable of emitting their own light, similar to OLED panels.

Both models promise not only high brightness but also a significantly wider color space coverage than conventional Mini LED models. Samsung aims to surpass its own QD-OLED technology, which offers up to 88.5% of the BT2020 color space in its high-end S95F series (and 88.10% for the 65-inch model in the S90F series). This is what we’ll be verifying with additional measurements.

It is noted that Samsung will introduce at CES 2026 TVs using this Micro RGB technology in more manageable sizes starting at 55 inches. As of writing, we do not have information on the 2026 strategies of Hisense, TCL, Sony, but it is expected that these brands will also offer TVs with “smaller diagonals,” not to mention LG, which has also announced TVs of 75, 86, and 100 inches incorporating Micro RGB technology.

Samsung 115MR95FA Closer Look: Giant 115-inch Micro RGB Screen

Before we dive into the specifics and numbers, a brief introduction is in order. With its 115-inch diagonal, the Samsung 115MR95F practically takes up an entire wall, transforming a large living room or dedicated space into a real projection room. We had a similar impression with the Hisense 116UX, which equally dominates its space. Despite its size, it’s surprisingly not very thick, with a profile of just 3.57 cm. Its height measures 1.48 m and it spans 2.57 m in width!

The unit is housed in a substantial frame, supported by two centrally placed legs designed to hold nearly 3 m of diagonal. Also noteworthy is the inclusion of a Glare Free anti-reflective treatment, aimed at significantly reducing reflections despite the size of the panel.

This is the same treatment found on several other TV series from the brand, such as the S95F, S95D, QN990F, and QN900F. It’s clear that this technology offers a distinct advantage over the completely glossy panel found on the Hisense TV, which struggles with reflections in a well-lit room. Here, all light sources are effectively erased, including a large bay window.

The display maintains a 4K UHD resolution of 3840 x 2160 pixels, necessitating significant upscaling work handled here by the Micro RGB AI Engine.

Samsung 115MR95FSetup and SDR Measurement Protocol

Like with the Hisense 116UX, my measurements were carried out in Filmmaker mode, best suited for a cinema-like rendering true to the filmmakers’ intent. The TV was tested using a pattern generator connected to a PC equipped with Calman software, along with several measuring probes, to accurately capture gamma, color temperature, Delta E, and color space coverage.

In SDR, the initial measurements already give a very good indication of the seriousness of the calibration offered here. The baseline is an image designed for cinema, without unnecessary frills, on which purists can still fine-tune some settings if they wish, but whose starting level is already very high.

SDR Colorimetry: Already Precise

In Filmmaker mode, I noted an average SDR Delta E of 2.86, meaning that color deviations remain below the threshold of 3 beyond which shifts become noticeable to the naked eye. In practical terms, this means that the 115MR95F already displays an image accurate enough for most users without the need for professional calibration.

The average color temperature reaches 6802 K, very close to the 6500 K reference, suggesting a slightly cooler white than the target, but without a marked dominance. The average gamma was measured at 2.42, a very good value that enhances the perceived depth of blacks, which can be consistent in measurement conditions with some ambient light, while still being controlled on this type of panel.

The coverage of the Rec.709 color space reaches 99.90%, which places the 115MR95F nearly at the maximum of what is exploitable for SDR content. For all TV programs, HD streaming, and non-HDR Blu-rays, the TV is thus capable of reproducing the colors intended by the standard without missing any nuances.

HDR Performance: Power and Control

In HDR, the Samsung 115MR95F reaffirms its high-end position with a very careful management of colorimetry. The average HDR Delta E measured drops to 1.38, an excellent score that ensures very faithful colors even with the additional constraints imposed by the extended dynamics.

The peak HDR brightness reaches 2278 cd/m² with a pattern that covers 10% of the screen size, providing a comfortable reserve for specular effects, metallic reflections, explosions, or intense light sources. This is significantly less than the very impressive 6145 cd/m² measured on the Hisense 116UX. However, it should be noted that extremely few contents exploit such capabilities, and that the Hisense has a harder time combating the lighting of an ambient room, whereas the Samsung benefits from its anti-reflective treatment.

On a full-screen pattern, I recorded 716 cd/m², a consistent result for a TV of this size, showing that the Micro RGB backlight is capable of maintaining a sustained level of brightness across the entire surface without collapsing. For comparison, the Hisense offers a peak of 1197 cd/m² under the same conditions.

Extended Gamut: DCI‑P3 and BT.2020

The measurements confirm that the 115MR95F is not just a brightness monster, but also, and especially, a powerhouse of colors. In DCI‑P3, I recorded 98.45% coverage in automatic mode and 149.18% when the native mode is activated in the settings, placing it among the best current high-end TVs for modern HDR cinema. Clearly, this is a relative gamut measurement, not a “physical” coverage beyond 100%.

The BT2020 figures are even more spectacular, with 91.13% in automatic mode and a value of 94.25% in native mode. This remains consistent with Samsung’s claim of “full” coverage of BT2020.

Samsung 115MR95FDesigned for Gaming

In terms of gaming, my measurements show a very low input lag, at only 13.2 ms, which places it below the symbolic threshold of 16 ms, or less than one frame delay at 60 Hz. For gamers, this means excellent responsiveness between controller or keyboard actions and what is displayed on the screen, even on a 115-inch diagonal.

This figure complements an already rich spec sheet for gaming: 4K up to 144 Hz via HDMI 2.1, VRR, FreeSync Premium Pro, ALLM, and Gaming Hub to centralize sources and cloud gaming services. In practice, the 115MR95F positions itself both as an XXL cinema screen and a luxury monitor for gamers equipped with high-end consoles or PCs.